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From Spiritual And Biographic To Boundary-Marking Deterrent Art

A Reinterpretation Of Writing-On-Stone

Bibliographic Data

ID9216743
AuthorsLuc Bouchet Bert (University of Calgary, corresponding author)
Year1999
Volume44
Issue167
Pages27-46
Publication date1999-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePlains Anthropologist (JOURNAL)
Journal identifiersISSN: 0032-0447 • E-ISSN: 2052-546X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/2052546.1999.11931932
OpenAlexW2476027352
LanguageEN
Citations received3
References cited3

Writing-On-Stone art has long been interpreted as having been created only for spiritual reasons. While not denying that spiritualism was important at Writing-On-Stone, an examination of the social, political, and geographic contexts of its historic rock art leads to the theory that Writing-On-Stone was also a Blackfoot boundary-marker, and a warning to their enemies not to cross it. Writing-On-Stone was located between the Blackfoot and numerous hostile nations to the south, in an area through which many different groups passed on military and hunting raids into Blackfoot territory. Because Natives used narrative art to boast of prowess and skill and to elevate their status, the heavy presence of this art at Writing-On-Stone in historic times is interpreted as a deliberate message to various enemy groups that the Blackfoot were a force best left unprovoked

Adversary · Aesthetics · Archaeology · Art · Creative writing · Desert (philosophy) · Literature · Narrative · Political science · Politics · Reinterpretation · Archaeology and Natural History · Archaeology and Rock Art Studies · Historical and Cultural Archaeology Studies · History · Law

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Unique citing works3
Citations per year0,16
Citation span2007 - 2020 (14)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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