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On the Enjoyment of Listening to Music

Bibliographic Data

ID9230259
AuthorsHeinz Kohut, Siegmund Levarie
Year1950
Volume19
Issue1
Pages64-87
Publication date1950-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Psychoanalytic Quarterly (JOURNAL)
Journal identifiersISSN: 0033-2828 • E-ISSN: 2167-4086
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/21674086.1950.11925787
OpenAlexW2810767645
LanguageEN
Citations received20
References cited3

Aristotle saw the basis for all art forms in the principle of imitation. He claims that music has a special position among the arts because it imitates not the external aspects of objects, but character in his language, the passions and virtues. Psychoanalysis has taught us that phenomena in adult life which are seemingly unintelligible and indefinable take on new meaning when understood in terms of chronologically early experiences. Pleasure is experienced when psychological tension is relieved or when such relief is anticipated shortly. As long as the emphasis is placed on the action of the moving picture, the music cannot be mastered and enjoyed by the listener. In special circumstances even the attentive listener will be frustrated in his attempt to achieve pleasure. Such is the case when he is confronted with music, the form of which is entirely unfamiliar. The artistic necessity for the mastery of auditory stimuli also sheds new light on the concept of tonality

Active listening · Psychoanalysis · Communication · Music Technology and Sound Studies · Musicology and Musical Analysis · Neuroscience and Music Perception · Psychology

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Unique citing works20
Citations per year0,27
Citation span1953 - 2026 (74)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 15

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