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Better never means better for everyone”

White feminist necropolitics and Hulu's The Handmaid's Tale

Bibliographic Data

ID9237288
AuthorsMeredith Neville-Shepard (0009-0007-6464-6352, Department of Communication, University of Arkansas, Fayetteville, AR, corresponding author)
Year2023
Volume109
Issue1
Pages2-25
Publication date2023-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueQuarterly Journal of Speech (JOURNAL)
Journal identifiersISSN: 0033-5630 • E-ISSN: 1479-5779
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00335630.2022.2136738
OpenAlexW4308968272
LanguageEN
Citations received5

This article builds on those who have critiqued Hulu's The Handmaid's Tale along racial lines and calls into question the esteemed status the show holds as a rhetorical resource for contemporary feminist activism. By drawing attention to the parasitical relationship that the archetype of the vulnerable (but resilient) white woman has to Black pain and death, I argue that the series further calcifies the dominance of white feminism, enacting what I term “white feminist necropolitics.” To illuminate this theory, the essay presents a close analysis of The Handmaid's Tale. Specifically, I demonstrate how the show deploys post-racial logics to center a white feminist heroine whose story of saviorism relies on the cooptation of Black pain and the exploitation of Black death. Ultimately, this critical reading of the series points to the ways in which white feminism and necropolitics are intricately entangled

Art · Black feminism · Close reading · Feminism · Literature · Rhetorical question · Sociology · White (mutation) · Gender Studies · Gender, Feminism, and Media · Media Influence and Health · Shakespeare, Adaptation, and Literary Criticism

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Unique citing works5
Citations per year1,67
Citation span2023 - 2026 (4)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 5

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