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Dialectical disorientation in Vietnam War films

Subversion of the mythology of war

Bibliographic Data

ID9237642
AuthorsKaren Rasmussen (0000-0002-6354-2232, California State University), Sharon D Downey (California State University)
Year1991
Volume77
Issue2
Pages176-195
Publication date1991-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueQuarterly Journal of Speech (JOURNAL)
Journal identifiersISSN: 0033-5630 • E-ISSN: 1479-5779
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00335639109383951
OpenAlexW1979193781
LanguageEN
Citations received9
References cited25

“Dialectical disorientation” is a rhetorical form that creates uncertainty and ambiguity through confrontation between two competitive but complementary orientations. This essay examines its dynamics in four films addressing the war in Vietnam: The Deer Hunter, Apocalypse Now, Platoon, and Full Metal Jacket. We argue that the works subvert traditional American war mythology. The films present the war as destructive rather than regenerative and purposeless rather than meaningful. This divisive scene creates a context in which principles governing behavior in war—militarism and moralism—become inoperative. The essay first details the development of disorientation in the films and then examines the rhetorical and social implications of the analysis

Aesthetics · Ambiguity · Art · Context (archaeology) · Dialectic · Epistemology · Linguistics · Literature · Militarism · Mythology · Political science · Rhetoric · Rhetorical question · Sociology · Subversion · Vietnam War · History · Law · Literature, Film, and Journalism Analysis · Philosophy · Philosophy, History, and Historiography · Rhetoric and Communication Studies

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Unique citing works9
Citations per year0,26
Citation span1992 - 2020 (29)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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