Intonation in nineteenth‐century fiction
The voices of paraphrase
Bibliographic Data
| ID | 9239170 |
|---|---|
| Authors | Elliot M Schrero (Rider University, corresponding author) |
| Year | 1974 |
| Volume | 60 |
| Issue | 3 |
| Pages | 289-295 |
| Publication date | 1974-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Quarterly Journal of Speech (JOURNAL) |
| Journal identifiers | ISSN: 0033-5630 • E-ISSN: 1479-5779 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00335637409383235 |
| OpenAlex | W2079177799 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
Passages from Charles Dicken's Bleak House and Henry James's “The Next Time” illustrate the stylistic use of intonation patterns in nineteenth century fiction. In Bleak House, Esther Summerson paraphrases Harold Skimpole in a style favoring intonation patterns that convey a particular impression of Skimpole. In “The Next Time,” the narrator paraphrases Ralph Limbert in a passage that requires suitable intonation, selected by context and style, to ‘make vivid Limbert's ineffectual purity and the narrator's vexation at Limbert's fate
Art · Context (archaeology) · Intonation (linguistics) · Linguistics · Literature · Paraphrase · Style (visual arts) · French Literature and Poetry · History · Media, Communication, and Education · Philosophy · Poetry Analysis and Criticism
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,02 |
| Citation span | 1981 - 1981 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |