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African American ethos and hermeneutical rhetoric

An exploration of Alain Locke's The New Negro

Datos Bibliográficos

ID9239288
AutoresEric King Watts (Wake Forest University, autor de correspondencia)
Año2002
Volumen88
Número1
Páginas19-32
Fecha de publicación2002-02-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaQuarterly Journal of Speech (JOURNAL)
Identificadores de la revistaISSN: 0033-5630 • E-ISSN: 1479-5779
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00335630209384357
OpenAlexW1986771348
IdiomaEN
Citas recibidas2
Referencias citadas17

This essay explores the ways through which Alain Locke's anthology of African American art and criticism, The New Negro: An Interpretation, constituted an African American ethos during the Harlem Renaissance. Loche enacted a hermeneutical rhetoric that reinterpreted black folk tradition, African artistry, and modem pragmatism as topoi for rhetorical practice, and his discursive strategies appropriated and modified divergent cultural traditions to invent a “New Negro. “Locke's hermeneutical rhetoric exhibits an aesthetic praxis that is sensitive to the ways in which the emotions habituate rhetorical and cultural practices, which inform the achievement of propriety

Aesthetics · Art · Criticism · Epistemology · Ethos · Interpretation (philosophy) · Linguistics · Literature · Praxis · Rhetoric · Rhetorical criticism · Rhetorical question · Sociology · Theology · Topos theory · Anthropology · Literature, Film, and Journalism Analysis · Philosophy · Race, History, and American Society · Rhetoric and Communication Studies

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  • The Harlem Renaissance

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Obras citantes distintas2
Citas por año0,17
Intervalo de citas2014 - 2017 (4)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 1
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