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Voices of sexual distortion

Rape, birth, and self‐annihilation metaphors in the alien trilogy

Bibliographic Data

ID9239884
AuthorsThomas Vaughn (0000-0003-1747-2293, Indiana University, corresponding author)
Year1995
Volume81
Issue4
Pages423-435
Publication date1995-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueQuarterly Journal of Speech (JOURNAL)
Journal identifiersISSN: 0033-5630 • E-ISSN: 1479-5779
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00335639509384127
OpenAlexW2083977518
LanguageEN
Citations received1
References cited29

The immensely popular science fiction series sometimes referred to as the Alien Trilogy is analyzed for its mythopoetic critique of gender identity. The basis for this critique resides in the movies’ embodiment of the literalized myths of gender and family and its subsequent deconstruction of this framework through meta‐phoric ambiguity. By destabilizing the conventional frame through which the rhetorical subject is constructed, the movies question reified social practice. Such a reading revises the feminist challenge to these texts, locating them in a broader cultural tension revolving around reproductive practice

Aesthetics · Art · Deconstruction (building) · Identity (music) · Literature · Mythology · Rhetorical question · Sociology · Subject (documents) · Trilogy · Gender Studies · Gender, Feminism, and Media · Gothic Literature and Media Analysis · Narrative Theory and Analysis

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Unique citing works1
Citations per year0,04
Citation span2003 - 2003 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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