Affective artistry on the medieval stage
Bibliographic Data
| ID | 9240829 |
|---|---|
| Authors | Janette Richardson (University of California, Berkeley, corresponding author) |
| Year | 1984 |
| Volume | 70 |
| Issue | 1 |
| Pages | 12-22 |
| Publication date | 1984-02-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Quarterly Journal of Speech (JOURNAL) |
| Journal identifiers | ISSN: 0033-5630 • E-ISSN: 1479-5779 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00335638409383673 |
| OpenAlex | W1990528783 |
| Language | EN |
| References cited | 3 |
Although the Brome Abraham and Isaac ends with an explicit moral directed to the audience, rhetorical analysis of the play suggests that the final exemplary concept is but one of four levels of response that the dramatist's artistry aims to evoke
Aesthetics · Art · Linguistics · Literature · Rhetoric · Rhetorical criticism · Rhetorical question · Sociology · Philosophy · Psychology · Renaissance and Early Modern Studies
| Highly cited | No |
|---|