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The body is his, pulse and motion”

Violence and Desire in Yvonne Vera's The Stone Virgins

Bibliographic Data

ID9250073
AuthorsKostelac Kostelac, Sofia Kostelac (0000-0002-6895-1553, corresponding author)
Year2010
Volume41
Issue3
Pages75
Publication date2010-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueResearch in African Literatures (JOURNAL)
Journal identifiersISSN: 0034-5210 • E-ISSN: 1527-2044
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/ral.2010.41.3.75
OpenAlexW2085054589
LanguageEN
Citations received3
References cited12

This article examines Yvonne Vera’s representation of sexual violence in her 2002 novel The Stone Virgins. Set during the violent period of Zimbabwe’s postindependence history known as the gukurahundi, the novel shows how women’s bodies are made to bear the material wounds of protracted national struggles. Vera complicates this critique by articulating scenes of murder and rape using an intensely intimate lexicon, conventionally associated with amatory discourses. In order to elucidate the metaphoric and symbolic connections Vera establishes between desire and violence, I adopt a psychoanalytic framework that seeks to explain the pleasure culture derives from images of subjugated femininity. I argue that Vera’s disquieting conflation of violation with intimacy formulates a powerful critique of women’s inscription by dominant masculinist paradigms, and implicates normative attitudes concerning women’s passivity and sexual availability in a catastrophic national violence

Aesthetics · Art · Conflation · Epistemology · Femininity · Normative · Pleasure · Political science · Psychoanalysis · Psychoanalytic theory · Representation (politics) · Sociology · African history and culture studies · African studies and sociopolitical issues · Cinema and Media Studies · Gender Studies · Law · Philosophy · Psychology

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Unique citing works3
Citations per year0,25
Citation span2014 - 2025 (12)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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