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Everyone Is Guilty”

Complicitous Critique and the Plaasroman Tradition in Etienne van Heerden's Toorberg ( Ancestral Voices )

Bibliographic Data

ID9250076
AuthorsChristopher Warnes (University of Cambridge, corresponding author), Warnes Warnes (corresponding author)
Year2011
Volume42
Issue1
Pages120
Publication date2011-01-01
Open AccessNo
TypeARTICLE
VenueResearch in African Literatures (JOURNAL)
Journal identifiersISSN: 0034-5210 • E-ISSN: 1527-2044
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/reseafrilite.2011.42.1.120
OpenAlexW3146110706, W2073664772
LanguageEN
References cited2

The plaasroman (farm novel) of the 1920s and 1930s allowed Afrikaans writers to assert and explore a bond between the farmer and the soil, a bond that stands metonymically for the relations between culture, place and nation. This essay argues that Etienne Van Heerden’s 1986 novel, Toorberg, adapts and transforms the conventions of the plaasroman genre to give voice to a complicitous critique of the consequences of Afrikaner racial exclusivity in the 1980s. As a counterdiscursive plaasroman, Toorberg reveals and works through various layers of complicity finally to offer a prophetic glimpse of the possibility of reconciliation between possessors and the dispossessed. In documenting the clannish pride, aloofness, and arrogance of an aristocratic Afrikaans family, and by showing how these qualities result in the exclusion and impoverishment of its mixed-race relatives, Van Heerden’s novel maps the psychosocial underpinnings of apartheid

Art · Complicity · Political science · Pride · Race (biology) · Sociology · Theology · African studies and sociopolitical issues · Gender Studies · Historical and Archaeological Studies · Historical, Literary, and Cultural Studies · History · Law · Legal Issues in South Africa · Medieval Literature and History · Philosophy · South African History and Culture

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Highly citedNo

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