Nollywood, Lagos, and the Good-Time Woman
Bibliographic Data
| ID | 9250116 |
|---|---|
| Authors | Okome Okome (corresponding author) |
| Year | 2012 |
| Volume | 43 |
| Issue | 4 |
| Pages | 166 |
| Publication date | 2012-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Research in African Literatures (JOURNAL) |
| Journal identifiers | ISSN: 0034-5210 • E-ISSN: 1527-2044 |
| Publisher | Indiana University Press (PUBLISHER • US) |
| DOI | 10.2979/reseafrilite.43.4.166 |
| OpenAlex | W3148436474 |
| Language | EN |
| Citations received | 9 |
| References cited | 6 |
Art · Theology · African history and culture studies · African Sexualities and LGBTQ+ Issues · African studies and sociopolitical issues · History · Philosophy
Automobility in Daniel Oriahi's Taxi Driver
The Nairobi Prostitution Histories
The ‘primitive’ villager discovers the lights of Lagos metropolis
Postcolonial Utopianism of African Cities
Posthuman subjectivities
Old song, new melody
The Dilemma of an Elite Postcolonial Woman
I Thought She Was Ordinary, I Only Saw Her Body
Mapping emerging constructions of good time girls in Kenyan popular media
| Unique citing works | 9 |
|---|---|
| Citations per year | 0,75 |
| Citation span | 2014 - 2026 (13) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 9 |