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Ousmane Sembene's Hall of Men

(En)Gendering Everyday Heroism

Datos Bibliográficos

ID9250148
AutoresLindo Lindo (autor de correspondencia)
Año2010
Volumen41
Número4
Páginas109
Fecha de publicación2010-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaResearch in African Literatures (JOURNAL)
Identificadores de la revistaISSN: 0034-5210 • E-ISSN: 1527-2044
EditorialIndiana University Press (PUBLISHER • US)
DOI10.2979/ral.2010.41.4.109
OpenAlexW2003642219
IdiomaEN
Citas recibidas4
Referencias citadas7

Faat Kiné (2000) and Moolaade (2004) have together generated remarkable critical attention with regard to the place of women in Senegalese filmmaker Ousmane Sembene's filmography. While numerous film critics and theorists see Sembene as a veritable torchbearer for African feminism, they have not sufficiently attended to the role men play in these final films. In order to contribute a more comprehensive feminist interpretation of these films, in this article I expose the complex web of power relations in which women's issues are embedded and show how the patriarchal grip risks thwarting plural expressions of both femininity and masculinity. I further demonstrate how female characters and their issues in Faat Kiné and Moolaade enable Sembene to unveil male characters that lay claim to novel paradigms of masculinities, no longer shackled to the colonial narrative of the past but rather anchored in the practice of their material experience of the everyday

Aesthetics · Art · Colonialism · Femininity · Feminism · Film director · Gender relations · Literature · Manu · Masculinity · Movie theater · Narrative · Neocolonialism · Plural · Power (physics · Sociology · Transnationality · African history and culture studies · African studies and sociopolitical issues · Gender Studies · History · Philosophy · South African History and Culture

  • Apresentando os tirailleurs senegaleses ao cinema

    Open Access•Aly Brenner Nogueira Pereira•Domínios da Imagem•2025

  • “They Drew An Entire People After Them”

    Sarah Jilani•Interventions•2021

  • Ambiguous Masculinities

    Open Access•Amy Swanson•Dance Research Journal•2019

  • Filmer la résistance à la colonisation

    Open Access•E Bertho•Cahiers d études africaines•2016

  • The Politics of (M)Othering

    Obioma Nnaemeka•The Politics of (M)Othering•2005

  • Object Lessons

    Robyn Wiegman•Signs: Journal of Women in…•2001

  • The Afrocentric Paradigm and Womanist Agendas in Ousmane Sembene's Faat Kine (2001)

    Valerie K Orlando, Valerie Orlando•Comparative Studies of South Asia…•2006

  • If I Were a Woman, I'd Never Marry an African

    Fírinne Ní Chréacháin, Sembène Ousmane•African Affairs•1992

  • Durable Dreams

    Jude G Akudinobi•Meridians•2006

  • Reimaging Gender and African Tradition? Ousmane Semb ne'sXalarevisited

    Aaron Mushengyezi•Africa Today•2004

Obras citantes distintas4
Citas por año0,4
Intervalo de citas2016 - 2025 (10)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 4
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