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The Merits and Predicaments of Opacity

Poetic Strategies of Evasion and Resistance

Bibliographic Data

ID9250171
AuthorsAlmut Hoffmann (0000-0002-3794-0667, corresponding author), Anette Hoffmann
Year2007
Volume38
Issue3
Pages41-59
Publication date2007-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueResearch in African Literatures (JOURNAL)
Journal identifiersISSN: 0034-5210 • E-ISSN: 1527-2044
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/ral.2007.38.3.41
OpenAlexW1963936328
LanguageEN
Citations received1
References cited9

Opacity is an intrinsic characteristic of Otjiherero praise poetry: it simultaneously enables and complicates reception. This essay analyzes a piece of Herereo praise poetry (omutandu) that was created for the burial of the victims of the so-called "Windhoek Shooting" in 1959 and preserved until today by means of oral transmission. It explores the poetic response of the Herero community to the forced removal of Africans from the vicinity of Windhoek, their articulation of resistance against the aims of apartheid, and the expression of grief and dismay about the killing of several people at the escalation of violence in 1959. At that time, the performers expressed, in coded diction, their collective will not to move to the newly built township, Katutura. Today the poem projects a version of history that contradicts the reading of colonial history contained in the archival

Aesthetics · Art · Diction · Expression (computer science) · Literature · Opacity · Poetry · Political science · Praise · Reading (process) · Resistance (ecology) · African history and culture studies · African studies and sociopolitical issues · Computer Science · History · Law · South African History and Culture

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    Timothy Brennan•At home in the world•1997

  • I Could Speak Until Tomorrow

    K Barber•I Could Speak Until Tomorrow•1991

  • In the Event of History

    Open Access•Premesh Lalu•Kronos•2021

  • Hidden Stories and the Light of the New Day

    Liz Gunner•Research in African Literatures•2000

  • Reflections on the Colonial State, in South Africa and Elsewhere

    John Comaroff, John L Comaroff•Social Identities•1998

  • A Model for the Analysis of Folklore Performance in Historical Context

    Charles W Joyner•Journal of American Folklore•1975

  • Living with the past

    Open Access•Kirsten Alnaes•Africa•1989

Unique citing works1
Citations per year0,1
Citation span2016 - 2016 (1)
Citation velocityhistorical
Highly citedNo
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