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Silences Too Horrific to Disturb

Writing Sexual Histories in Edwidge Danticat's Breath, Eyes, Memory

Bibliographic Data

ID9250221
AuthorsDonette Francis (Binghamton University, corresponding author), Donette A Francis
Year2004
Volume35
Issue2
Pages75-90
Publication date2004-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueResearch in African Literatures (JOURNAL)
Journal identifiersISSN: 0034-5210 • E-ISSN: 1527-2044
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/ral.2004.35.2.75
OpenAlexW1975677934
LanguageEN
Citations received9
References cited9

Women's stories of sexual abuse are often subordinated to larger political narratives of the nation-state, and this is especially true of Haiti, where the nation's political upheavals, poverty, and refugees overwhelm the global imagination. This essay reads Edwidge Danticat's Breath, Eyes, Memory as a fictional counternarrative that chronicles how empires, the postcolonial state, and the patriarchal family have abused, exposed, and compromised the sexed bodies of Caribbean women and girls. By inscribing these unofficial memories into the historical narrative of the Haitian nation-state, Danticat counters the systemic violence of erasure deployed by various cultural apparatuses that aim to conceal violence against women. In so doing, she makes explicit the political implications of these occurrences for women's experiences of citizenship

Art · Citizenship · Criminology · Literature · Narrative · Political science · Politics · Poverty · Refugee · Sexual violence · Sociology · State (computer science) · Caribbean and African Literature and Culture · Caribbean history, culture, and politics · Colonialism, slavery, and trade · Gender Studies · History · Law

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Unique citing works9
Citations per year0,43
Citation span2005 - 2016 (12)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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