Untangling Stories and Healing Rifts

Abdulrazak Gurnah's By the Sea

Datos Bibliográficos

ID9250290
AutoresHand Hand (autor de correspondencia)
Año2010
Volumen41
Número2
Páginas74
Fecha de publicación2010-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaResearch in African Literatures (JOURNAL)
Identificadores de la revistaISSN: 0034-5210 • E-ISSN: 1527-2044
EditorialIndiana University Press (PUBLISHER • US)
DOI10.2979/ral.2010.41.2.74
OpenAlexW2064343986
IdiomaEN
Citas recibidas2
Referencias citadas13

Abdulrazak Gurnah's sixth novel, By the Sea (2001), addresses two major issues in studies of current African writing. First, the novel delves into the in-roads of how memory works and how it informs historical narratives. The tension between individual perceptions of history compared to collective consciousness is explored through the conflicting narratives of the two main characters, Saleh Omar and Latif Mahmud. Second, it provides insights into the role of Islamic cultural modes in the shaping of national identity in Zanzibar, both before and after independence and the 1964 revolution. This article argues that Gurnah's work needs to be read with its Muslim heritage in view, as Islamic cultural modes form the framework of the novel. Thus, the novel is written through but not about Islam and projects Zanzibari Muslim practices as the glue that binds society together but that can be oppressive if stuck too closely

Aesthetics · Archaeology · Art · Consciousness · Epistemology · Identity (music · Independence (probability theory · Islam · Literature · Muslim community · Narrative · Sociology · African history and culture studies · Gender Studies · Global Maritime and Colonial Histories · History · Philosophy · Postcolonial and Cultural Literary Studies