The Transcription Centre in the Sixties
Navigating in Narrow Seas
Bibliographic Data
| ID | 9250296 |
|---|---|
| Authors | Gerald Moore (0000-0001-6170-6646, corresponding author) |
| Year | 2002 |
| Volume | 33 |
| Issue | 3 |
| Pages | 167-181 |
| Publication date | 2002-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Research in African Literatures (JOURNAL) |
| Journal identifiers | ISSN: 0034-5210 • E-ISSN: 1527-2044 |
| Publisher | Indiana University Press (PUBLISHER • US) |
| DOI | 10.2979/ral.2002.33.3.167 |
| OpenAlex | W2021220070 |
| Language | EN |
| Citations received | 7 |
| References cited | 2 |
The Transciption Centre played a part in the diffusion, discussion, and even the creation of African and Caribbean Literatures during a crucial period in their development. It was set up in London in February 1962 and functioned there throughout the rest of the decade. It was funded by the Paris-based Congress for Cultural Freedom, and its offi? cial brief was to record interviews with African or Caribbean writers, artists, and intellectuals, in London or elsewhere. Recordings or transcipts of these interviews were to be made available to radio stations in Africa, the Caribbean, or anywhere else where interest in them was expressed (some went to Germany, Denmark, India, Singapore, and other countries). In practice, however, its activities under its director, Dennis Duerden, proved to be much wider than this; branching out into the making of television films, radio plays, and music recordings, or the sponsorship of art exhibitions, concerts, stage productions, and wide-ranging discussions of many contemporary topics. It became something of an informal club for all blacks artists visiting London and a power house for many of their activities. What exacdy was this Congress for Cultural Freedom, and did all these activities conform with its original intentions in setting up the Centre? To answer these questions it is necessary both to read the Centre's archives, now held at the Harry Ransome Humanities Research Center in Austin, and Frances Stonor Saunders's recent book The Cultural Cold War: The CIA
Linguistics · Transcription (linguistics) · Caribbean history, culture, and politics · History · Philosophy
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Sounding a New African Diaspora
Reading the Radio-Magazine
Ibadan modernism
Generative transcription
A Pan-African Space in Cape Town? The Chimurenga Archive of Pan-African Festivals
| Unique citing works | 7 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2012 - 2024 (13) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 7 |