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Suspended City”

Personal, Urban, and National Development in Chris Abani's Graceland

Bibliographic Data

ID9250554
AuthorsHarrison Harrison (corresponding author)
Year2012
Volume43
Issue2
Pages95
Publication date2012-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueResearch in African Literatures (JOURNAL)
Journal identifiersISSN: 0034-5210 • E-ISSN: 1527-2044
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/reseafrilite.43.2.95
OpenAlexW2122799404
LanguageEN
Citations received3
References cited19

In Graceland (2004), Chris Abani extends a long tradition of Lagos literature by re-imagining the city from the perspective of its poorest population. By invoking and subverting the Bildungsroman genre through his narration of the young slumdweller Elvis's troubled coming of age, he suggestively critiques the instability and inconsistency of the postcolonial nation-state. Specifically, through his formal and thematic elaboration of a "suspension" leitmotif, Abani demonstrates the paralyzing imbrication of the local, national, and global discourses of development that collide at the urban margins. While national models of progress are proven untenable by the discrepant trajectories of development that intersect the city, the promise of cultural transnationalism is equally circumscribed by Elvis's immersion in a global economic system that perpetuates his marginalization. In his fictional representation of Lagos's uneven development, Abani thus responds to calls for more holistic accounts of development than those which emerge from dominant economic analyses

Aesthetics · Art · Economic growth · Geography · Literature · Narrative · National development · Sociology · Caribbean history, culture, and politics · Gender Studies · History · Postcolonial and Cultural Literary Studies · Urban and Rural Development Challenges

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Unique citing works3
Citations per year0,3
Citation span2016 - 2025 (10)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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