Selling (out) on the Black Market
Black Bazar 's Literary Sape
Bibliographic Data
| ID | 9250614 |
|---|---|
| Authors | Knox Knox (University of Central Arkansas, corresponding author) |
| Year | 2015 |
| Volume | 46 |
| Issue | 2 |
| Pages | 52 |
| Publication date | 2015-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Research in African Literatures (JOURNAL) |
| Journal identifiers | ISSN: 0034-5210 • E-ISSN: 1527-2044 |
| Publisher | Indiana University Press (PUBLISHER • US) |
| DOI | 10.2979/reseafrilite.46.2.52 |
| OpenAlex | W261626371 |
| Language | EN |
| References cited | 9 |
This article develops a framework drawing from Congolese sape fashion practices to read Alain Mabanckou’s 2009 novel Black bazar . In sape —an acronym for La Societe des ambianceurs et des personnes elegantes (the Society of Ambiencers and Persons of Elegance)— sapeurs “sappers” perform danses des griffes “dances of designer labels” during which they brandish their clothing items’ designer brands. In my reading of Black bazar as an example of “literary sape ,” I argue that the narrator-author’s references to cultural works from a variety of national and historical contexts can productively be read as a literary danse des griffes —a performance that interrogates the reading strategies to which the novel itself will be subjected. Ultimately, through its content and form, Black bazar contests the very notion of authenticity that undergirds how francophone cultural works and their authors are packaged and circulated within larger global cultural economies
Art · Black market · Economics · Literature · Market economy · Cultural Identity and Heritage · History · Multiculturalism, Politics, Migration, Gender · North African History and Literature
| Highly cited | No |
|---|