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Extending Generic Boundaries

Werewere Liking's L'amour-cent-vies

Bibliographic Data

ID9250752
AuthorsKatheryn Wright (0000-0002-6485-9549, corresponding author)
Year2002
Volume33
Issue2
Pages46-60
Publication date2002-06-01
Open AccessNo
TypeARTICLE
VenueResearch in African Literatures (JOURNAL)
Journal identifiersISSN: 0034-5210 • E-ISSN: 1527-2044
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/ral.2002.33.2.46
OpenAlexW2056321987
LanguageEN
Citations received1
References cited6

African literature to renew and regenerate its forms as much as the to content expressed by those forms. Indeed, in an interview conducted in 1983, Liking states that it is the forme qui decide de l'efficacite du fond 'the form that determines the efficacy of the content.'1 Her novel Vamour-cent-vies (1988) is a hybrid text that includes numerous genres and stylistic features present in oral traditions: praise-naming, lullaby, allegorical and etiological tales, proverbs, legends, myth, and some of the formal and thematic components of both the epic and the initiation story. In this novel, it is not only the recontextualizaton, adaptation, and reworking of traditional oral materials through the written word that modify these forms, but it is also the relationship that develops between genres that ultimately compels the reader to reexamine his or her preconceptions about the ideological limitations of certain genres in written literature. An author's decision to enlist the services of oral tradition is aestheti

Adaptation (eye) · Art · Content (measure theory) · EPIC · Ideology · Linguistics · Literature · Mythology · Oral literature · Oral poetry · Oral tradition · Poetry · Politics · Praise · Caribbean and African Literature and Culture · History · Lexicography and Language Studies · Philosophy · Postcolonial and Cultural Literary Studies · Psychology

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Citations per year0.13
Citation span2018 - 2018 (1)
Highly citedNo

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