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Essay

Shifting Fields: Imagining Literary Renewal in Itiner rio and Drum

Bibliographic Data

ID9250811
AuthorsStefan Helgesson (0000-0002-2222-1037, corresponding author)
Year2007
Volume38
Issue2
Pages206-226
Publication date2007-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueResearch in African Literatures (JOURNAL)
Journal identifiersISSN: 0034-5210 • E-ISSN: 1527-2044
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/ral.2007.38.2.206
OpenAlexW1995093687
LanguageEN
Citations received8
References cited10

This article looks at the beginnings of anti-apartheid/anticolonial literary cultures in Johannesburg and Maputo (then Lourenco Marques) after the Second World War. It pays specific attention to the ways in which they attempted to harness aesthetics of newness. By focusing on the influential journals Drum (1951–) and Itinerario (1941–1955), I argue that both journals tapped into transnational intellectual currents such as Harlem Renaissance writing, but that the discrete discursive networks of English and Portuguese contributed to a differentiation of their aesthetic approaches. Itinerario acted out an avantgarde-like resistance to bourgeois/colonial culture. Drum was market-driven and achieved in its early phase a compromise between a racially circumscribed mass-cultural appeal and the literate ideals of mission-educated South African blacks. These differences can then be factored into an analysis of persistent differences between the literatures of South Africa and Mozambique

Aesthetics · Art · Bourgeoisie · Colonialism · Compromise · Drum · Literature · Political science · Politics · Portuguese · Resistance (ecology) · Social science · Sociology · African history and culture studies · History · Law · Philosophy · Postcolonial and Cultural Literary Studies · South African History and Culture

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Unique citing works8
Citations per year0,35
Citation span2003 - 2021 (19)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 7

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