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Poetry, Performance, and Art

Udje Dance Songs of Nigeria's Urhobo People

Bibliographic Data

ID9250820
AuthorsTanure Ojaide (0000-0001-6918-2971, corresponding author)
Year2001
Volume32
Issue2
Pages44-75
Publication date2001-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueResearch in African Literatures (JOURNAL)
Journal identifiersISSN: 0034-5210 • E-ISSN: 1527-2044
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/ral.2001.32.2.44
OpenAlexW2081030346
LanguageEN
Citations received4
References cited1

The Malian philosopher Hampaté Bâ states that in Africa, "a dying old man is a burning library" (qtd. in Sallah 35). Traditional African culture is oral, and the literature in the forms of epic, legend, folktale, song, and others is transmitted by word of mouth from one generation to another. Ba's metaphor of a burning library underscores both the limitations of an oral culture such as the traditional African and the urgent need to retrieve as much of the folklore as possible for study and preservation before its aged custodians die with their vast knowledge. While much is known of the poetic forms of African majority ethnic groups such as Akan dirges, Yoruba oriki and ijala, and Zulu izibongo, little is known of poetic creations of minority groups such as Urhobo udje dance songs, undoubtedly one of the most poetic of Africa's indigenous poetic forms

Art · Custodians · Dance · Divination · Ethnic group · Folklore · Indigenous · Legend · Linguistics · Literature · Oral literature · Oral poetry · Oral tradition · Poetry · Sociology · Yoruba · Zulu · Anthropology · History · Music History and Culture · Philosophy

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Unique citing works4
Citations per year0,17
Citation span2002 - 2018 (17)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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