Complicity with Orientalism in Third-World Women's Writing

Fatima Mernissi's Fictive Memoirs

Datos Bibliográficos

ID9250873
AutoresBourget Bourget (autor de correspondencia)
Año2013
Volumen44
Número3
Páginas30
Fecha de publicación2013-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaResearch in African Literatures (JOURNAL)
Identificadores de la revistaISSN: 0034-5210 • E-ISSN: 1527-2044
EditorialIndiana University Press (PUBLISHER • US)
DOI10.2979/reseafrilite.44.3.30
OpenAlexW2011522648
IdiomaEN
Citas recibidas7
Referencias citadas15

Mernissi’s autobiography, Dreams of Trespass: Tales of a Harem Girlhood, was first published in English. Labeled as a memoir, this text is clearly written with a “Western” audience in mind, witness the explanatory footnotes (which vary between the French and English versions). Though Mernissi did not do the French translation herself, she revised and adapted it. This article examines the differences between Mernissi’s French and English versions of her autobiography in the context of third-world autobiographies for the first-world market. The most telling difference between both versions is a footnote added to the French that puts into question the very genre to which the narrative claims to belong. In the light of recent scandals involving fictitious narratives marketed as autobiographies in the U.S., this paper examines the implications of reading and teaching Mernissi’s memoirs in the post 9/11 context

Art · Biography · Complicity · Context (archaeology) · Linguistics · Literature · Memoir · Narrative · Orientalism · Political science · Witness · Autobiographical and Biographical Writing · Canadian Identity and History · History · Law · North African History and Literature · Philosophy