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Gestural Interpretation of the Occult in the Bin Kadi-So Adaptation of Macbeth

Datos Bibliográficos

ID9250883
AutoresMarie-José Hourantier (autor de correspondencia)
TraductoresR H Mitsch
Año1999
Volumen30
Número4
Páginas135-143
Fecha de publicación1999-12-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaResearch in African Literatures (JOURNAL)
Identificadores de la revistaISSN: 0034-5210 • E-ISSN: 1527-2044
EditorialIndiana University Press (PUBLISHER • US)
DOI10.2979/ral.1999.30.4.135
OpenAlexW1997075228
IdiomaEN

The Bin Kadi-So adaptation of Macbeth 1 explores different levels of reality that lead us to participate in an occult world, where everything occurs in a muted atmosphere and the essentials of action are woven together. In that mysterious universe that Tradition reveals to us by facilitating its communication with our plane of existence, we can study the actor's gestural performance when his or her eyes encounter the unseen, ears the unheard, and hands the untouchable. The actor leads the spectator into places that are familiar, where the boundaries between the visible and the invisible are abolished and the actor both unleashes and struggles against dark forces

Action (physics) · Adaptation (eye) · Aesthetics · Art · Atmosphere (unit) · Bin · Interpretation (philosophy) · Linguistics · Occult · Physics · Computer Science · History · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism · Theatre and Performance Studies

Velocidad de citaciónhistorical
Altamente citadoNo
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