Gestural Interpretation of the Occult in the Bin Kadi-So Adaptation of Macbeth
Datos Bibliográficos
| ID | 9250883 |
|---|---|
| Autores | Marie-José Hourantier (autor de correspondencia) |
| Traductores | R H Mitsch |
| Año | 1999 |
| Volumen | 30 |
| Número | 4 |
| Páginas | 135-143 |
| Fecha de publicación | 1999-12-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Research in African Literatures (JOURNAL) |
| Identificadores de la revista | ISSN: 0034-5210 • E-ISSN: 1527-2044 |
| Editorial | Indiana University Press (PUBLISHER • US) |
| DOI | 10.2979/ral.1999.30.4.135 |
| OpenAlex | W1997075228 |
| Idioma | EN |
The Bin Kadi-So adaptation of Macbeth 1 explores different levels of reality that lead us to participate in an occult world, where everything occurs in a muted atmosphere and the essentials of action are woven together. In that mysterious universe that Tradition reveals to us by facilitating its communication with our plane of existence, we can study the actor's gestural performance when his or her eyes encounter the unseen, ears the unheard, and hands the untouchable. The actor leads the spectator into places that are familiar, where the boundaries between the visible and the invisible are abolished and the actor both unleashes and struggles against dark forces
Action (physics) · Adaptation (eye) · Aesthetics · Art · Atmosphere (unit) · Bin · Interpretation (philosophy) · Linguistics · Occult · Physics · Computer Science · History · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism · Theatre and Performance Studies
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |