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The Elegies on the Prophet in their Historical Perspective

Bibliographic Data

ID9278229
AuthorsW Arafat, W ʿArafat (corresponding author)
Year1967
Volume99
Issue1
Pages15-21
Publication date1967-01-01
Open AccessYes
TypeARTICLE
VenueJournal of the Royal Asiatic Society of Great Britain & Ireland (JOURNAL)
Journal identifiersISSN: 0035-869X • E-ISSN: 2051-2066
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0035869x00125122
OpenAlexW2333966562
LanguageEN

Of the poems found in the Sīra , four only are introduced as elegies on the death of the Prophet Muḥammad, all of which are ascribed to Ḥassān b. Thābit. They can, however, be seen on internal evidence to be the work of later Anṣarīs, and to reflect the inferior status to which the Anṣārīs were reduced after the sack of Madlna in 63/683; a consciousness of the restriction of their importance to the part they, as a community, played in supporting the Prophet in the early stages; a degree of resigned resentment at their meagre share in the fruits of power, and an intense sentimentality in concentrating their thoughts on the Prophet himself, with whom their glorious past was closely connected. They wished to view this as a personal relation and a privilege which by then was in fact a consolation. Occasionally one also senses Shi'ī undertones in the sentimental adulation of the Prophet (clearly a remote figure), and, as will be demonstrated below, one also notices the occurrence of the epithet “mahdi” and words of the same root. Both these tendencies are of particular significance in relation to the late Umayyad and early ‘Abbāsid periods

Admiration · Art · Consolation · Epithet · Literature · Perspective (graphical) · Poetry · Power (physics) · Relation (database) · Resentment · Sentimentality · Archaeology and Historical Studies · Families in Therapy and Culture · History · Islamic Studies and History · Law

Highly citedNo

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