Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

People of Clay

Portrait Objects in the Peabody Essex Museum

Bibliographic Data

ID9283301
AuthorsSria Chatterjee (Princeton University, corresponding author)
Year2013
Volume6
Issue2
Pages203-221
Publication date2013-06-26
Open AccessNo
TypeARTICLE
VenueMuseum History Journal (JOURNAL)
Journal identifiersISSN: 1936-9816 • E-ISSN: 1936-9824
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1179/1936981613z.00000000011
OpenAlexW2028277284
LanguageEN
Citations received1
References cited13

This article focuses on the nineteenth century clay figures from India housed at the Peabody Essex Museum in Salem, Massachusetts, USA. In considering the commission and collecting of these clay figures as tangible by-products of the Indo-American relationship between traders in the 19th century, I look at three distinct categories within portrait-objects: life-size clay representations of two mendicant figures; three Calcutta merchants given as gifts; and a set of miniature clay dolls representing various Indian social types. Accounting for various European and American presences in nineteenth century India and acknowledging asymmetrical power relations in such encounters, I home in on iconographical and technological choices made by the Krishnagar craftsmen to point to the juxtaposition of the local and the adopted. This adoption, I suggest, is not a straightforward one but a moment in a series of moments of transaction among different cultural subjects. Extending these relations to a climate of variable artistic patronage, I problematise the relationship between artistic agency and portraiture, arguing that it is the act of commission and exchange within this space of cultural encounter in colonial India and the museum that determines to what extent a figure is, or is not, considered a portrait

Agency (philosophy · Archaeology · Art history · Colonialism · Commission · Political science · Portrait · Social science · Sociology · Anthropological Studies and Insights · Global Maritime and Colonial Histories · History · Law · Literature: history, themes, analysis

  • Lascars through the colonial lens

    Héloïse Finch-Boyer•Journal for Maritime Research•2014

  • Routes

    James Clifford, James Clifford-undifferentiated•Routes•1997

  • Imperial Eyes

    Mary Louise Pratt•Imperial Eyes•1992

  • The cultural biography of things

    Open Access•Igor Kopytoff•Social Life of Things•1986

  • Yankee India

    Robert R Swartout•The SHAFR Guide Online•2017

  • A thousand plateaus

    Félix Guattari, Gilles Deleuze•A thousand plateaus•1987

  • The East India Marine Society and the Peabody Museum of Salem

    Esther Forbes, Walter Muir Whitehill•The William and Mary Quarterly•1951

  • Semiotics and the Social History of Art

    Keith Moxey, Keith P F Moxey•New Literary History•1991

  • Company Paintings

    Mildred Archer•Journal of the American Oriental…•1994

  • Interpreting Indian Society

    Open Access•Mckim Marriott•The Journal of Asian Studies•1976

  • Living Ethnological Exhibits

    Open Access•Saloni Mathur•Cultural Anthropology•2000

  • Modeling Cultures

    Open Access•Charlotte H F Smith, Michelle Stevenson•Museum Anthropology•2010

Citations per year0.08
Citation span2014 - 2014 (1)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae