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Cicero's BRUTUS

The End of Oratory and the Beginning of History

Bibliographic Data

ID9288571
AuthorsC E W Steel (University of Glasgow), Catherine Steel (0000-0002-7119-5840, University of Glasgow, corresponding author)
Year2003
Volume46
Issue1
Pages195-211
Publication date2003-12-01
Open AccessYes
TypeARTICLE
VenueBulletin of the Institute of Classical Studies (JOURNAL)
Journal identifiersISSN: 0076-0730 • E-ISSN: 2041-5370
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1111/j.2041-5370.2003.tb00741.x
OpenAlexW1986549193
LanguageEN
Citations received22

The ostensible function of the Brutus is to record the history of oratory at Rome and thereby confirm that it has ceased to exist under Caesar's dictatorship. But the gulf between Cicero's ideal of oratory and its actual use mean that he is unable to implement his inclusive selection criteria, as the absences of Marius, Sulla, Catiline and Clodius from the catalogue indicate; and his discussions of speakers have to concentrate on technique and not content. And whilst the narrative logic of the work tends towards Cicero himself as the culmination of Roman eloquence, his ultimate failure to inscribe himself into the canon shows that he is not yet willing to withdraw from political activity and cease to be an orator

Art · Cicero · Dictatorship · Epistemology · Ideal (ethics · Literature · Narrative · Political science · Politics · Classical Antiquity Studies · Classics · Historical and Literary Analyses · History · Law · Organic Chemistry Synthesis Methods · Philosophy

  • Words on Fire

    Rob Goodman•Words on Fire•2021

  • The law in Cicero's writings

    Open Access•Jill Harries•Cambridge Companion to Cicero•2013

  • Cicero and the intellectual milieu of the late Republic

    Open Access•Anthony Corbeill•Cambridge Companion to Cicero•2013

  • Twentieth/twenty-first-century Cicero(s)

    Open Access•Lynn S Fotheringham•Cambridge Companion to Cicero•2013

  • The political impact of Cicero's speeches

    Open Access•Ann Vasaly•Cambridge Companion to Cicero•2013

  • Cicero, tradition and performance

    Open Access•Andrew Bell, Andrew J Bell•Cambridge Companion to Cicero•2013

  • Writer and addressee in Cicero's letters

    Open Access•Ruth Morello•Cambridge Companion to Cicero•2013

  • Cicero's poetry

    Open Access•Emma Gee•Cambridge Companion to Cicero•2013

  • Cicero's rhetorical theory

    Open Access•John Dugan•Cambridge Companion to Cicero•2013

  • Cicero and Roman identity

    Open Access•Emma Dench•Cambridge Companion to Cicero•2013

  • Cicero in late antiquity

    Open Access•Sabine Maccormack•Cambridge Companion to Cicero•2013

  • Saviour of the Republic and Father of the Fatherland

    Open Access•Jon Hall•Cambridge Companion to Cicero•2013

  • Cicero during the Enlightenment

    Open Access•Matthew Fox•Cambridge Companion to Cicero•2013

  • Nineteenth-century Ciceros

    Open Access•Nicholas Cole, Nicholas P Cole•Cambridge Companion to Cicero•2013

  • Cicero's style

    Open Access•J G F Powell•Cambridge Companion to Cicero•2013

  • Tully's boat

    Open Access•Alain M Gowing•Cambridge Companion to Cicero•2013

  • Cicero, oratory and public life

    Open Access•Catherine Steel•Cambridge Companion to Cicero•2013

  • Cicero's Political Personae

    Open Access•Joanna Kenty•Cicero's Political Personae•2020

  • Writing philosophy

    Open Access•Malcolm Schofield•Cambridge Companion to Cicero•2013

  • La fonction des modèles dans l’articulation chronologique du Brutus

    Jean-Michel David, Jean‐michel David•Le Brutus de Cicéron•2014

  • The Cambridge Companion to Cicero

    Open Access•Catherine Steel•Cambridge Companion to Cicero•2013

  • I tremble with my whole heart

    Open Access•Rob Goodman•European Journal of Political…•2021

Citations per year1.69
Citation span2013 - 2021 (9)
Highly citedNo
Open DOISci-Hub
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