The Hidden Author
An Interpretation of Petronius’s Satyricon
Bibliographic Data
| ID | 9288693 |
|---|---|
| Authors | Gian Biagio Conte (corresponding author) |
| Year | 1996 |
| Pages | 224 |
| Publication date | 1996-12-31 |
| Open Access | No |
| Type | BOOK |
| Venue | Hidden Author (SOURCE_BOOK) |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/9780520918504 |
| OpenAlex | W2316933649 |
| Open Library | OL29603314M |
| ISBN | 9780520918504 |
| Language | EN |
| Citations received | 71 |
The Satyricon of Petronius, a comic novel written in the first century A.D., is famous today primarily for its amazing banquet tale, "Trimalchio's Feast." But this episode is only one part of the larger picture of life during Nero's rule presented in the work. In this accessible discussion of Petronius's masterful use of parody, Gian Biagio Conte offers an interpretation of the Satyricon as a whole. He combines the scholarly precision of close reading with a significant, original theoretical model. At the heart of his interpretation, Conte reveals the technique of the "hidden author" that Petronius employs at the expense of his characters, in particular the teller of the story, Enclopius. By remaining hidden outside the narrative, Petronius invites the reader to smile at the folies de grandeur that occur in a culture of scholars and declaimers. Yet as Conte shows, behind the parody and inexhaustible humor of the Satyricon lies an unexpectedly serious lament. For those familiar with the Satyricon, as well as for new readers, Conte's book will be a reliable, enjoyable guide to the wonders the Satyricon contains
Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · History · Renaissance and Early Modern Studies · History and criticism · in literature · Petronius arbiter · Rome · Satire · Satire, history and criticism
Trimalchio
Petronius
Petronius' Satyrica
Petronius
Trimalchio
The Union and Divorce of Classical Philology and Theology
Petronius
Senecan Drama and the Age of Nero
Seneca and Augustan Culture
Post-Augustan Revisionism
Philosophers and the State under Nero
The Dialogue in Seneca’s Dialogues (and Other Moral Essays)
Whose Handmaiden? ‘Hellenisation’ between Philology and Theology
Nero in Hollywood
Petronius, Realism, Nero
Virgil, Creator of the World
Nero and the Senate
Theory and Practice in Seneca’s Writings
Nero’s Women
Seneca and the Quest for Glory in Nero’s Golden Age
Art and the Decadent City
Seneca Redivivus
Seneca’s Apocolocyntosis
Apuleius' Invisible Ass
Seneca’s Shame
Style and Form in Seneca’s Writing
Burning Rome, Burning Christians
Exploring Appearances
Senecan Emotions
Introduction
The Neronian “Symptom”
“Ain’t Sayin’”
Seneca’s Originality
Theater and Theatricality in Seneca’s World
Seneca
Seneca and the Moderns
Lucan’s Civil War in Nero’s Rome
Nero’s Memory in Flavian Rome
Seneca and the Christian Tradition
Staging Nero
Seneca on Monarchy and the Political Life
Seneca and Neronian Rome
Nero the Performer
Senecan Selves
Absent Presence in Seneca’s Epistles
Nero
Senecan Tragedy
Senecan Political Thought from the Middle Ages to Early Modernity
Seneca and the Ancient World
Seneca’s Images and Metaphors
Seneca Multiplex
Nero’s Imperial Administration
Seneca and Epicurus
The Affects of Manumission
The Cambridge Companion to Seneca
‹Vielwisserei lehrt keine Einsicht› (Herakl. DK 22 B 40)
The Cambridge Companion to the Age of Nero
Classical Philology and Theology
Petronius and the Anatomy of Fiction
The Ovidian Heroine as Author
Historical Criticism, the Reclamation of Codes, and Repairs to Literary History
A local mimesis
Ancient Roman Literary Gardens
Ecphrasis and cultural identification in Petronius' art gallery
The Liminal Space
Petronius’ epigraphic habit
The Faber and the Saga . Pygmalion Between the Ebvrnea Virgo and the TRVNCVS Iners
Poetry and Friendship in Juvenal's Twelfth Satire
Declamation, Paternity, and Roman Identity
Xenophon’s Anabasis
Constructing Characters in Propertius
| Unique citing works | 71 |
|---|---|
| Citations per year | 2,73 |
| Citation span | 2000 - 2024 (25) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 71 |