Pindar and the Construction of Syracusan Monarchy in the Fifth Century B.C
Bibliographic Data
| ID | 9294152 |
|---|---|
| Authors | Kathryn A Morgan (corresponding author) |
| Year | 2015 |
| Pages | 472 |
| Publication date | 2015-01-22 |
| Open Access | No |
| Type | BOOK |
| Venue | Pindar and the Construction of Syracusan Monarchy in the Fifth Century B. C. (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/acprof:oso/9780199366859.001.0001 |
| OpenAlex | W4230474082 |
| Open Library | OL28547291M |
| ISBN | 9780199366859 |
| Language | EN |
| Citations received | 34 |
This book attempts a fully contextualized reading of the praise poetry written by Pindar for Hieron of Syracuse in the 470s BC. It argues that the songs composed by Pindar for the Sicilian tyrant were part of an extensive cultural program that included athletic competition, coinage, architecture, sanctuary dedication, city foundation, and much more. In the tumultuous years following the Persian invasion of Greece in 480, elite Greek leaders and their cities struggled to capitalize on the Greek victory and to define themselves as free peoples who triumphed over the threat of Persian monarchy. Pindar's victory odes are an important contribution to Hieron's goal of panhellenic preeminence, redescribing contemporary tyranny as an instantiation of golden-age kingship and consonant with best Greek tradition. Three initial chapters set the stage by presenting the history and culture of Syracuse under the Deinomenid tyrants. Subsequent chapters examine in turn all of Pindar's preserved poetry for Hieron and members of his court and contextualize this poetry by comparing it to the songs written for Hieron by Pindar's poetic contemporary, Bacchylides. These odes develop a specifically "tyrannical" mythology in which a hero from the past enjoys unusual closeness with the gods, only to bring ruin on himself or herself by failing to manage this closeness appropriately. Such negative exemplars counterbalance Hieron's good fortune and present the dangers against which he must (and does) protect himself by regal virtue
Archaeology · Aristocracy (class · Art · Elegiac · HERO · Honour · Literature · Monarchy · Mythology · Poetry · Political science · Politics · Theology · Victory · Virtue · Classical Antiquity Studies · Classics · Historical and Literary Studies · Historical, Religious, and Philosophical Studies · History · Law · Philosophy · Colonies · Criticism and interpretation · Greece · Greek literature · Greek literature, history and criticism · History and criticism · Pindar · Syracuse (italy)
Prostheses in Antiquity
The Serpent Column
After Alexander
A New Persian War
Panhellenism
Meaning
Theatrical Reenactment in Pindar and Aeschylus
Pindar. First nemean Ode
Echoing the Eleusinian World
The Development and Dissolution of Polis
Pindar Pythian 2.13–20
Lyric Vision
The New Politics of Olympos
Reciprocity, Truth, and Gender in Pindar and Aeschylus
Cosmography and the Idea of Hyperborea in Ancient Greece
To Be or Not to Be Yourself
Sponsoring the Arts
Territorio e identità nella geografia della Sicilia orientale. Il caso di Xouthia
The “Savvy Interpreter”
Soter e soteria dal V secolo alle soglie dell’età ellenistica
Hermippus FGrH 1026 F84
Experimenting Basileia
Localizing Pindar’s Pythian 10
Thaumastic Acoustics
Genealogies of τέχνη
The εὐνομώτατος ἔρανος in Pindar O. 1.25-27 and the Myth of Pelops
The Absent Landscape in Xenophon’s Hiero
Aristophanes and the Cult of the Saviour
Intertextuality in Early Greek Poetry
Genre in Archaic and Classical Greek Poetry
States of Memory
Music, Text, and Culture in Ancient Greece
Pindar and the Poetics of Repatriation in the 4th Pythian
Théorie poétique, vérité et représentation du divin chez Empédocle et Pindare
| Unique citing works | 34 |
|---|---|
| Citations per year | 3,09 |
| Citation span | 2015 - 2026 (12) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 34 |