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The Rhetoric of Nomina in Ovid's Tristia

Bibliographic Data

ID9308971
AuthorsEllen Oliensis (Yale University, corresponding author)
Year1997
Volume26
Issue2
Pages172-193
Publication date1997-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRamus (JOURNAL)
Journal identifiersISSN: 0048-671X • E-ISSN: 2202-932X
PublisherCambridge University Press (PUBLISHER • US)
DOI10.1017/s0048671x00001995
OpenAlexW2485193465
LanguageEN
Citations received16
References cited6

As Betty Rose Nagle has remarked, Ovid's exile poetry deploys proper names within a kind of economy: ‘Ovid immortalises his own name by publicising it and exhorting his friends and readers to keep it alive, and he rewards his friends for actively remembering him by immortalising them, i.e. by putting their names in his poetry.’ What interests me here is the shortcircuiting of this system of exchange within the Tristia . For one of the most striking features of Ovid's first run of exilic elegies is precisely the omission of the names of Ovid's addressees. As Ovid will claim in the poem that opens the Epistulae ex Ponto , it is this omission (along with a change of title) that differentiates the Tristia poems from their successors: inuenies, quamuis non est miserabilis index, non minus hoc illo triste, quod ante dedi. rebus idem, titulo differt; et epistula cui sit non occultato nomine missa docet. ( Ex Pont . 1.1.15-18)

Art · Communication source · Index (typography · Linguistics · Literature · Poetry · Rhetoric · World Wide Web · Byzantine Studies and History · Classical Antiquity Studies · Computer Science · Historical and Linguistic Studies · Philosophy

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Unique citing works16
Citations per year0,67
Citation span2002 - 2026 (25)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 15

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