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The Later Comic Chorus

Bibliographic Data

ID9309570
AuthorsK J Maidment (Jesus University, corresponding author)
Year1935
Volume29
Issue1
Pages1-24
Publication date1935-01-01
Open AccessYes
TypeARTICLE
VenueThe Classical Quarterly (JOURNAL)
Journal identifiersISSN: 0009-8388 • E-ISSN: 1471-6844
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0009838800027816
OpenAlexW2169358668
LanguageEN
Citations received22
References cited1

The history of Attic comedy after the fifth century is not simple. The comic fragments are obscure, because they are fragments: and the ancient interpreters, because they are determined to interpret. But the subject still remains interesting and important, especially in so far as it is concerned with Middle Comedy, which filled the gap between Aristophanes and Menander. Formally and materially, Menander was a modern, while Aristophanes was not: and it was during the fourth century that the ground was being prepared for the change. Now one of the most noticeable differences between Old and New Comedy was the altered position of the chorus; and although the very mixed assortment of facts available makes coherent conclusions difficult, I think it worth enquiring how much can be known of the chorus after Aristophanes

Art · Chorus · Comedy · Comics · Literature · Subject (documents · Classical Antiquity Studies · Computer Science · Historical, Religious, and Philosophical Studies · History

  • Introduction

    Open Access•Alison Sharrock•Cambridge Companion to Roman Comedy•2019

  • Music and Metre

    Open Access•Timothy Moore, Timothy J Moore•Cambridge Companion to Roman Comedy•2019

  • Roman Comedy and the Poetics of Adaptation

    Open Access•Mario Telo•Cambridge Companion to Roman Comedy•2019

  • Slaves and Roman Comedy

    Open Access•William Fitzgerald•Cambridge Companion to Roman Comedy•2019

  • Fathers and Sons

    Open Access•Martin T Dinter•Cambridge Companion to Roman Comedy•2019

  • Gods and Roman Comedy

    Open Access•Anna Clark, Anna E Clark•Cambridge Companion to Roman Comedy•2019

  • Stage Action in Roman Comedy

    Open Access•C W Marshall•Cambridge Companion to Roman Comedy•2019

  • Roman Comedy in Early Modern Italy and France

    Open Access•Céline Candiard•Cambridge Companion to Roman Comedy•2019

  • The Language of Roman Comedy

    Open Access•Evangelos Karakasis•Cambridge Companion to Roman Comedy•2019

  • Roman Comedy in Germany (from Humanism to Lessing)

    Open Access•Florian Hurka•Cambridge Companion to Roman Comedy•2019

  • Roman Comedy on Stage and Screen in the Twentieth and Twenty-First Centuries

    Open Access•Céline Candiard•Cambridge Companion to Roman Comedy•2019

  • Metatheatre

    Open Access•David Christenson•Cambridge Companion to Roman Comedy•2019

  • Roman Comedy in Early Modern England

    Open Access•Robert S Miola•Cambridge Companion to Roman Comedy•2019

  • Comic Technique

    Open Access•Isabella Tardin Cardoso•Cambridge Companion to Roman Comedy•2019

  • The Manuscripts and Illustration of Plautus and Terence

    Open Access•Beatrice Radden Keefe•Cambridge Companion to Roman Comedy•2019

  • Mothers and Whores

    Open Access•Dorota Dutsch•Cambridge Companion to Roman Comedy•2019

  • The Politics of Roman Comedy

    Open Access•Robert Germany•Cambridge Companion to Roman Comedy•2019

  • Staging Philosophy

    Francesco Morosi•Classical Philology•2020

  • The Cambridge Companion to Roman Comedy

    Open Access•Martin T Dinter•Cambridge Companion to Roman Comedy•2019

  • Xopoy in the Plutus

    Open Access•E W Handley•The Classical Quarterly•1953

  • The Decree of Syrakosios

    Open Access•Alan H Sommerstein•The Classical Quarterly•1986

  • The Poetics of the Kōmos -Chorus in Menander's Comedy

    Susan Lape•The American Journal of Philology•2006

  • The Verse of Greek Comedy

    Milton W Humphreys, John Williams White•The Classical Weekly•1916

Citations per year0.3
Citation span1953 - 2020 (68)
Highly citedNo

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