Performing Nostalgia
Shifting Shakespeare and the Contemporary Past
Bibliographic Data
| ID | 9309760 |
|---|---|
| Authors | Stephanie Moss (0000-0003-2361-7073, corresponding author) |
| Year | 1997 |
| Volume | 28 |
| Issue | 3 |
| Pages | 1004-1006 |
| Publication date | 1997-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Sixteenth Century Journal (JOURNAL) |
| Journal identifiers | ISSN: 0361-0160 • E-ISSN: 2326-0726 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.2307/2543088 |
| OpenAlex | W2092763510 |
| Language | EN |
| Citations received | 11 |
In this trenchant work, Susan Bennett examines the authority of the past in modern cultural experience and the parameters for the reproduction of the plays. She addresses these issues from both the viewpoints of literary theory and theatre studies, shifting Shakespeare out of straightforward performance studies in order to address questions about his plays and to consider them in the context of current theoretical debates on historiography, post-colonialism and canonicity
Aesthetics · Art · Colonialism · Context (archaeology · Historiography · Literature · Order (exchange · Reproduction · Sociology · Viewpoints · Visual arts · History · Irish and British Studies · Philippine History and Culture · Shakespeare, Adaptation, and Literary Criticism
Enough Already
Jhumpa Lahiri’s “Sexy” and the Ethical Mapping of Subjectivity
Shakespeare and the Force of Modern Performance
Conjuring the Tempest
Toward a Topography of Cross-Cultural Theatre Praxis
Replicating Richard
Pearls in Beauteous Ladies' Eyes
Introduction
Dialects of nostalgia
Imperialistic Representations and Spectatorial Reception in Shakespeare Wallah
Teaching, Performing and Responding to Shakespeare in Multicultural (Postcolonial) Canada and Quebec
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,39 |
| Citation span | 1998 - 2016 (19) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 10 |