The World of Hesiod
Bibliographic Data
| ID | 9312366 |
|---|---|
| Authors | Diskin Clay (Duke University, corresponding author) |
| Year | 1992 |
| Volume | 21 |
| Issue | 02 |
| Pages | 131-155 |
| Publication date | 1992-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Ramus (JOURNAL) |
| Journal identifiers | ISSN: 0048-671X • E-ISSN: 2202-932X |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/s0048671x00002605 |
| OpenAlex | W2481534682 |
| Language | EN |
| Citations received | 4 |
| References cited | 10 |
Toute pensée de l'origine des choses n'est jamais qu'une revérie de leur disposition actuelle, une manière de dégénérescence du réel, une variation sur ce qui est. Paul Valéry in his Preface to Poe's Eureka . The World of Hesiod is familiar as a title, but the world of Hesiod is difficult to locate in a single place. Indeed, it is a number of places. It seems to have its centre in Askra in Boiotia and to extend out in space as far as the high slopes of Mount Helikon. It is a land-locked world and its severe limitations are apparent from what the poet says about the sea and the short sea passage from the mainland at Aulis to Chalkis on Euboia. Even as he offers his advice to the seafarer, he admits that he has no experience in seafaring or ships himself ( W&D 649). He had only made the trip across to the island of Euboia once to compete as a poet at the funeral games of Amphidamas ( W&D 646-60). Hesiodic poetry, when it centres on Hesiod's home, seems to crowd into a very small and disagreeable patch of typical Greek countryside. But his Muses enlarge this world. They provide him with a knowledge that he cannot gain himself—both of seafaring and of the vast expanse of the physical world whose origins go beyond the very beginnings of human time. Hesiod's local Muses transport him from the springs of Permessos to the deep currents of Ocean and they disclose to him a universe vaster in its extent and deeper in time than that of the Homeric poems. A sign of these enlarged horizons is the fact that in the Theogony Hesiod begins to sing of the Muses of Helikon (1-4), but then shifts attention to the Muses of Olympos (36-80)
Ancient history · Apollo · Art · Hesiod · Humanities · Literature · Poetry · Style (visual arts · Classical Antiquity Studies · Classics · History · Philosophy
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,15 |
| Citation span | 1999 - 2020 (22) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |