Pyrotechnics and photography
Saltpeter and the colonial history of photographic lighting
Bibliographic Data
| ID | 9313629 |
|---|---|
| Authors | Niharika Dinkar (corresponding author) |
| Year | 2021 |
| Volume | 14 |
| Issue | 3 |
| Pages | 395-420 |
| Publication date | 2021-09-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Photographies (JOURNAL) |
| Journal identifiers | ISSN: 1754-0763 • E-ISSN: 1754-0771 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17540763.2021.1961847 |
| OpenAlex | W3207830466 |
| Language | EN |
| Citations received | 2 |
| References cited | 29 |
Bengal light was among the earliest commercial sources of artificial lighting for photographic use, patented as Photogen in February 1857. Essentially, a pyrotechnic flare whose vital ingredient was saltpeter, it was mined by low caste laborers in Bengal, which had emerged as the leading global producer of saltpeter by the eighteenth century. Saltpeter was a coveted global commodity because it served as the primary material for the manufacture of gunpowder and also had wide-ranging industrial applications. Its use for photography provides an early instance of the commodification and trade in lighting technologies and materials, challenging dominant assumptions about photographic light as a freely available natural resource accessible to all. It asserts the presence of artificial lighting in early photography to contest invocations to the sun and divine light that dominate characterizations of the period. Finally, saltpeter ties early photographic lighting into a wider imperial trade of commodities for war, to further cement the analogies between the camera and the gun noted in many photographic studies. Encapsulated in its use is an imperial history of global trade that hinged on extraction of natural sources, colonial labor, and alliances between military and industrial technologies of light
Archaeology · Art · Artificial light · Business · Colonialism · Commodification · Commodity · Economics · Economy · Gunpowder · Photography · Visual arts · Global Maritime and Colonial Histories · History · Photography and Visual Culture · Travel Writing and Literature
Oscar Wilde's Aesthetic Education
Empires of light
A Geology of Media
Evening's Empire
The Worlding of Light and Air
The Burning Mirror
The Victorian Eye
Under Representation
Talbot's natural magic
Unruly Representation
The Indian Saltpeter Trade, the Military Revolution, and the Rise of Britain as a Global Superpower
War and cinema
Understanding media
Potential History
Optical Media
Brokers in Western Indian Port Cities Their Role in Servicing Foreign Merchants
An Anthropology of Luminosity
The Digital Body
The World as Exhibition
| Unique citing works | 2 |
|---|---|
| Citations per year | 2 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |