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Pop Music and Graeco-Roman Erotic Verse

Teaching Thorny Topoi in Lyric Ancient and Modern

Bibliographic Data

ID9313827
AuthorsT H M Gellar-Goad (0000-0001-8266-465X, corresponding author)
Year2018
Volume112
Issue1
Pages649-662
Publication date2018-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Classical World (JOURNAL)
Journal identifiersISSN: 0009-8418 • E-ISSN: 1558-9234
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/clw.2018.0063
OpenAlexW2901220480
LanguageEN
References cited7

This paper discusses shared thematic ground between ancient erotic verse and modern Anglo-American popular music, and presents a “pop topos” assignment that asks students to illustrate ancient erotic topoi with modern popular music of their choosing, an activity the author has used successfully in an advanced Latin reading course on Roman elegy. By bringing familiar modern cultural artifacts into discourse with social and literary issues in ancient Greece and Rome, assignments such as the “pop topos” provide students an occasion for thinking about how Graeco-Roman literature can help inform the role of popular music in the ideological constructions of their own society

Art · Elegy · Ideology · Linguistics · Literature · Poetry · Politics · Popular music · Reading (process · Topos theory · Classical Antiquity Studies · Classical Studies and Philology · Historical and Literary Studies · Philosophy

  • Metal Faces, Rap Masks

    Mickey Hess•Popular Music & Society•2005

  • Eminem's Construction of Authenticity

    Edward G Armstrong•Popular Music & Society•2004

  • Written Women

    Open Access•Maria Wyke•The Journal of Roman Studies•1987

  • The Figure of Elegy in Amores 3.1

    Caroline A Perkins•The Classical World•2011

  • Elegiac Woman

    Ellen Greene•The American Journal of Philology•1995

  • Metrical Feet on the Road of Poetry

    John Henkel•The Classical World•2014

Citation velocityhistorical
Highly citedNo

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