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Early Modern English Literature and the Poetics of Cartographic Anxiety

Bibliographic Data

ID9315103
AuthorsChris Barrett (0000-0003-1708-3554, corresponding author), Christine Barrett (0000-0002-8400-3668)
Year2018
Pages240
Publication date2018-03-22
Open AccessNo
TypeBOOK
VenueEarly Modern English Literature and the Poetics of Cartographic Anxiety (SOURCE_BOOK)
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/oso/9780198816874.001.0001
OpenAlexW2790811006
ISBN9780198816874
Open LibraryOL30589029M
LanguageEN
Citations received3

Though the Renaissance map—made newly accurate and newly ubiquitous by the Cartographic Revolution—delighted, inspired, and fascinated, it also unsettled, upset, and disturbed sixteenth- and seventeenth-century readers. Early Modern English Literature and the Poetics of Cartographic Anxiety is the first monograph to demonstrate how early modern anxieties about maps and map logics accompanied an early modern poetics of representational crisis. The book first considers the manifold ways that the cartographic provoked suspicion, unease, and even hostility in early modern Britain, and it highlights literature’s sensitivity to the map’s representational deceptions and politically menacing implications. Second, it explores how Renaissance English literature, and specifically epic poetry, mounted a sustained critique of cartographic materials, of their strategies of representation, and of their often realpolitik, strategically distortive uses. In considering the ways epic poetry channels anxieties about cartographic technologies into a critique of early modern literature’s own protocols of representation, the bookpursues an early modern poetics of anxiety, one that productively complicates concepts of allegory, description, personification, bibliographic materiality, narrative, temporality, analogy and other elements of literary representation. Early Modern English Literature and the Poetics of Cartographic Anxiety reads three major poems of the period—Spenser’s The Faerie Queene (1590, 1596), Drayton’s Poly-Olbion (1612, 1622), and Milton’s Paradise Lost (1667, 1674)—in terms of their vexed and vexing relationships with cartographic materials, and shows how the productive protest staged by these texts inflects early modern and contemporary accounts of representation itself

Art · Epistemology · Literature · Narrative · Poetics · Poetry · Politics · Representation (politics · Temporality · Financial Crisis of the 21st Century · Historical Studies of British Isles · History · Philippine History and Culture · Philosophy · Cartography · English literature · English poetry · English poetry, history and criticism · History and criticism · Maps in literature

  • Sidney and Maps

    Chris Barrett•Oxford Handbook of Philip Sidney•2025

  • Michael Drayton’s Topographies

    María Vera Reyes•English Studies•2021

  • Introduction

    Daniel Cattell, Philip Schwyzer•The Seventeenth Century•2018

Citations per year0.38
Citation span2018 - 2025 (8)
Highly citedNo

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