The emergence of women’s film-making in francophone sub-Saharan Africa

From pioneering figures to contemporary directors

Bibliographic Data

ID9316710
AuthorsLizelle Bisschoff (0000-0002-5820-0377, University of Glasgow, corresponding author)
Year2012
Volume4
Issue2
Pages157-173
Publication date2012-10-01
Open AccessNo
TypeARTICLE
VenueJournal of African Cinemas (JOURNAL)
Journal identifiersISSN: 1754-9221 • E-ISSN: 1754-923X
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/jac.4.2.157_1
OpenAlexW2320450073
LanguageEN
Citations received6

The socially and politically committed films of francophone West Africa have for decades been incorporating progressive representations of African women. Although female directors are hugely underrepresented in West African film-making, as they are the world over, the last two decades have seen the gradual emergence of female directors in francophone West Africa. An increasing number of women in francophone West Africa are directing their own films, building on the work of the pioneering, mostly male, West African film-makers. This article will discuss the emergence of female film-making in francophone sub-Saharan Africa, from the pioneering figures to a number of contemporary directors following in the footsteps of those female directors who have initiated the tradition of female film-making in francophone sub-Saharan Africa. Some of the key films made by African women will be discussed, with a focus on the themes, genres and styles that female film-makers employ in their work. The article conclude that African women’s film-making in francophone West Africa is an emerging tradition of plurality and multiplicity, with a diverse range of genres and themes being employed, informed by the lived experiences of the directors

Archaeology · Ethnology · French · Sociology · African history and culture studies · African Sexualities and LGBTQ+ Issues · African studies and sociopolitical issues · Gender Studies · History

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