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Unlocking the Riddles of Classical Greek Melodies I

Dorian Keys to the Harmonic Revolution of the New Music and the Hellenistic Musical Documents

Bibliographic Data

ID9319422
AuthorsTosca A C Lynch (0000-0002-7530-4020, University of Oxford, corresponding author)
Year2022
Volume10
Issue2
Pages383-415
Publication date2022-07-25
Open AccessYes
TypeARTICLE
VenueGreek and Roman Musical Studies (JOURNAL)
Journal identifiersISSN: 2212-974X • E-ISSN: 2212-9758
PublisherBrill (PUBLISHER • NL)
DOI10.1163/22129758-bja10046
OpenAlexW4290998655
LanguageEN
References cited9

Bringing together evidence preserved by Aristoxenus, Aristides Quintilianus, Ptolemy, Porphyry and the Greek musical handbooks in a unified framework, this article and its sequels show how the reconstruction of the Classical modulation system offered in Lynch 2018 is confirmed by the melodies recorded in the Greek musical documents. Taken jointly, these articles offer the first comprehensive account of the use of notation tónoi in the ancient Greek musical documents that is fully consistent with the extant technical evidence on Greek harmonic theory and with literary testimonies about the harmonic innovations introduced by the New Musicians. The present article focuses on the Classical/Hellenistic harmonic system, whereas its Imperial counterpart will be discussed in Lynch forthcoming 1 and 2. These theoretical analyses are based upon a newly developed database ( dDAGM ) that collects all the musical notes attested in the standard edition of the Greek musical fragments ( DAGM ), comprising over 3,500 notes

Acoustics · Ancient Greek · Art · Extant taxon · Harmonic · Linguistics · Literature · Melody · Musical · Musical notation · Physics · Ptolemy's table of chords · Classical Antiquity Studies · Classics · Diverse Musicological Studies · Historical and Literary Studies · History · Philosophy

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  • Aristoxenus and the Intervals of Greek Music

    Open Access•R P Winnington-Ingram, R P Winnington‐ingram•The Classical Quarterly•1932

  • The Delphic Paeans of Athenaios and Limenios between Old and New Music

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Highly citedNo

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