Drink, suspicion and comedy in Propertius 1.3
Bibliographic Data
| ID | 9322914 |
|---|---|
| Authors | S J Harrison (Corpus Christi College, corresponding author) |
| Year | 1994 |
| Volume | 40 |
| Pages | 18-26 |
| Publication date | 1994-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Proceedings of the Cambridge Philological Society (JOURNAL) |
| Journal identifiers | ISSN: 0068-6735 • E-ISSN: 2053-5899 |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/s0068673500001802 |
| OpenAlex | W2327139952 |
| Language | EN |
| Citations received | 21 |
| References cited | 4 |
Propertius 1.3 famously begins with the drunken poet returning from a night out to find his puella Cynthia asleep. The sleeping Cynthia is then apparently idealised by the poet through a series of comparisons with mythological heroines, until she wakes up and shows her true and less elevated character, shrewishly nagging the poet for staying out late with another woman, and thereby destroying his illusions. Some of the wit and irony of the situation has been pointed out in previous accounts of the poem; this treatment takes a closer look at the text, especially at the mythical analogues for Cynthia applied at the beginning of the poem, and argues that part of the wit and amusement of the poem derives from its articulation of the poet's suspicions of Cynthia's infidelity. This is not a tragic or dramatic effect, but rather a clever and amusing comedy; the amusing self-characterisation of the poet as a drunken bumbler racked with lust and suspicion is fully consistent with the kind of elegist envisaged by Paul Veyne, who rightly stresses that Roman love-elegy has much more to do with literary entertainment than with the intense analysis of passion. The scene is being narrated by the poet with retrospective wit and irony against himself; to use the convenient terms employed by Winkler in his book on Apuleius, the poet as auctor (writer of the poem) provides an entertaining view of the poet as actor (character in the poem's story)
Amusement · Art · Character (mathematics · Comedy · Comics · Elegy · Glory · Irony · Literature · Lust · Lyricism · Mythology · Passion · Poetry · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · Organic Chemistry Synthesis Methods · Philosophy · Psychology
Loves and elegy
Tibullus in first place
Militia amoris
The puella
Caius Cornelius Gallus
The poeta-amator, nequitia and recusatio
Translation and imitation of classical elegy in the French eighteenth century
Russian elegists and Latin lovers in the long eighteenth century
Greek elegy
Ovid the love elegist
Latin love elegy and other genres
Time, place and political background
Breaking the rules
Propertius
Latin love elegy in Late Antiquity
Latin precursors
‘The woman’
The Latin elegiac couplet
The Cambridge Companion to Latin Love Elegy
Latin Poetry in the Ancient Greek Novels
The Woman's Part
| Unique citing works | 21 |
|---|---|
| Citations per year | 1,62 |
| Citation span | 2013 - 2021 (9) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 21 |