Calpurnius Siculus and the Munus Neronis

Bibliographic Data

ID9324748
AuthorsG B Townend (Durham University, corresponding author)
Year1980
Volume70
Pages166-174
Publication date1980-11-01
Open AccessYes
TypeARTICLE
VenueThe Journal of Roman Studies (JOURNAL)
Journal identifiersISSN: 0075-4358 • E-ISSN: 1753-528X
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.2307/299561
OpenAlexW1996562237
LanguageEN
Citations received11

In a recent number of this Journal , Edward Champlin called in question the dating of the Eclogues of Calpurnius Siculus, traditionally placed in the early years of Nero's reign. The purpose of this paper is to argue that the Neronian date fits the references in the poems much better than does Champlin's date in the reign of Severus Alexander, and that there is no valid reason for doubting it. Some of the purely negative arguments may be dealt with briefly. When in 4.87 Calpurnius uses the phrase ‘facundo comitatus Apolline Caesar’, there is no need to take this as referring to the divine comes who becomes part of imperial propaganda in the third century (C., p. 96). Already in Nat. Deor. 2. 165–6 Cicero mentions Homer's attachment of various gods to great men as ‘discriminum et periculorum comites’; and in Rep. 2.44, ‘Fortuna comitata est’ Tarquin. For more specific activities, Propertius (4. 3. 16) makes Arethusa regret that she married ‘non comitante deo’; and this is brought into the realm of poetical composition in Prop. 3. 2. 13 and Ovid, Tr. 4. 1. 20, where the gods act as comites to the writers. This is precisely the context of Calpurnius' words, where Apollo's facundia is set beside the kingliness of Jupiter, as in Ecl. Eins. 1. 29–33, and provides poetic inspiration, just as Apollo does, ibid. 38, amplified in the following lines (39–42) with reference to Nero's poem on the Sack of Troy, and again in Apocol. 4, where there is a suggestion of Nero's identification with the god (‘ille mihi similis voltu similisque decore, nec cantu nec voce minor’). Nero was to exploit this idea much more as the reign proceeded, but Apollo's patronage of the poet-emperor was too firmly established at the beginning of the reign for any doubts to be raised

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