Empousa, Dionysus and the Mysteries
Aristophanes, Frogs 285ff
Bibliographic Data
| ID | 9330985 |
|---|---|
| Authors | Christopher G Brown (Western University, corresponding author) |
| Year | 1991 |
| Volume | 41 |
| Issue | 1 |
| Pages | 41-50 |
| Publication date | 1991-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Classical Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 0009-8388 • E-ISSN: 1471-6844 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0009838800003529 |
| OpenAlex | W2046448290 |
| Language | EN |
| Citations received | 4 |
| References cited | 21 |
In Frogs Aristophanes presents the comic katabasis of Dionysus, whose quest is to bring back the recently deceased Euripides and restore him to the Athenian literary scene. In the prologue Dionysus and his slave, Xanthias, seek out Heracles and ask his advice about the journey below. After some comic play, as they consider various short-cuts, Heracles finally gives Dionysus a serious lesson in Underworld geography (136–64). The various items on this itinerary – Charon, terrifying beasts, filth and excrement, sinners, μσται – are all encountered on Dionysus' journey, each transformed for humorous effect. Dionysus crosses the lake on Charon's barque, but is forced to row (180–270). At this point we have the introduction of the off-stage chorus that gives the play its name. In what appears to be a kind of false parodos Dionysus engages in a metrical tug-of-war with the frogs that finally spoils his rowing rhythm. After disembarking, he is joined by Xanthias, who was forced to walk around the lake, and they find themselves in the place of σκτος κα βρβορος (273), where they see the miscreants (here, comically, the audience). In place of φεις and θηρα μυρἱα δειτατα (144), our heroes are terrified by the figure of Empousa, who is seen by Xanthias alone (285–305). When Empousa is gone, there appears the chorus of initiates, whose song (with comic interruptions from Dionysus and Xanthias) constitutes the parodos (316–459)
Art · Chorus · Comics · Fable · Literature · Prologue · Classical Antiquity Studies · History
Geschichte der griechischen Religion
‘Owls to Athens’
Der Glaube der Hellenen
The Cults of the Greek States
Euripides, Orestes 279 γαλήν'> γαλν, Or How a Blue Sky Turned into A Pussycat
Seeing Weasels
Les Erinyes dans la tragédie grecque
The Lives of the Greek Poets
Eleusis and the Eleusinian Mysteries
Two Virgilian Similes and the 'HRAKLEOUS Katabasis
Vergil's Leaf- and Bird-Similes of Ghosts
Rhetoric and Politics in Fourth-Century Athens
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,16 |
| Citation span | 2001 - 2017 (17) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |