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Clubfeet and Kypselids

Contextualising Corinthian Padded Dancers in the Archaic Period

Bibliographic Data

ID9331400
AuthorsAngela Ziskowski (Coe College, corresponding author)
Year2012
Volume107
Pages211-232
Publication date2012-10-02
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Annual of the British School at Athens (JOURNAL)
Journal identifiersISSN: 0068-2454 • E-ISSN: 2045-2403
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0068245412000093
OpenAlexW2071249977
LanguageEN
Citations received6
References cited31

The significance behind the imagery of the padded dancer, or komast , traditionally has been connected to early drama, Dionysos, or ritual practices. Most Archaic Corinthian vases that include these figures portray them dancing, and a percentage of those dancers also illustrate a deformity of the foot. This article attempts to contextualise the clubfooted padded dancer within its political, cultural and geographic boundaries by offering an explanation for the end of production of these figures in Corinth. The lame padded dancer may have been a localised symbol offering political commentary on historical traditions of lameness within the tyrannical family of Corinth. Its production and discontinuation may be connected to the rise and fall of this family

Aesthetics · Archaeology · Archaic period · Art · Period (music · Politics · Symbol (formal · Classical Antiquity Studies · Historical and Literary Studies · Historical, Religious, and Philosophical Studies · History · Law · Philosophy

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Unique citing works6
Citations per year0.46
Citation span2013 - 2021 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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