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Revisiting Kwame Nkrumah’s African Personality

The Diaspora Context and the Making of Ghana Television

Bibliographic Data

ID9333066
AuthorsEmmanuella Amoh (0000-0002-3465-1720, Purdue University West Lafayette, corresponding author)
Year2022
Volume25
Issue1
Pages33-56
Publication date2022-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueGhana Studies (JOURNAL)
Journal identifiersISSN: 1536-5514 • E-ISSN: 2333-7168
PublisherUniversity of Wisconsin Press (PUBLISHER • US)
DOI10.3368/gs.25.1.33
OpenAlexW4320928058
LanguageEN
Citations received2

In 1963, President Kwame Nkrumah announced there would be a national television, which was to be Ghanaian, socialist, and African in content, departing from the commercialism and sensationalism of Western television. The goals of what would become Ghana Broadcasting television were part of Nkrumah’s pursuit of an African Personality. This article examines the complexity of the African Personality, which lies within diaspora African politics, and the tension between Africanism and Westernization. Using Ghana television as a lens, it asserts that the African Personality was not anti-Western or an essentialization of African culture. Rather, it was a revolutionary praxis envisioned by Nkrumah and his diaspora network for decolonization, Pan-Africanism, and postcolonial nation-building

Diaspora · History of Africa · Kwame · Media studies · Personality · Political science · Sociology · Westernization · African history and culture studies · Anthropology · Gender Studies · Law · Psychology · Social Psychology

  • Kwame Nkrumah and the Artistic Nation

    Alfred Patrick Addaquay•African Arts•2026

  • Audiovisual artefacts

    Open Access•Jennifer Blaylock•Social Dynamics•2024

Unique citing works2
Citations per year1
Citation span2024 - 2026 (3)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 2
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