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Negotiating Seduction

Archilochus’ Cologne Epode and the Transformation of Epic

Bibliographic Data

ID9348951
AuthorsLaura Swift (0000-0002-3745-3500, The Open University, Milton Keynes, MK7 6AA, corresponding author)
Year2015
Volume159
Issue1
Pages2-28
Publication date2015-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePhilologus (JOURNAL)
Journal identifiersISSN: 0031-7985 • E-ISSN: 2196-7008
PublisherKaDeMiE-VErLaG (PUBLISHER • DD)
DOI10.1515/phil-2015-0002
OpenAlexW1133656249
LanguageEN
Citations received3
References cited32

This article offers a new interpretation of Archilochus’ First Cologne Epode (fr. 196a W) by reading it as a sustained travesty of an epic seduction scene. The article begins by setting out the flexibility of the epic type-scene, with an analysis of the Dios Apate in Iliad 14, Aphrodite’s seduction of Anchises in the Homeric Hymn to Aphrodite, and Odysseus’ encounter with Nausicaa in Odyssey 6. The second part of the article demonstrates that the Cologne Epode is structured around the same core elements, but at every stage Archilochus subverts expectations by offering something that parodies epic convention. Reading the Epode as a vulgar iambic reworking of an epic tradition not only gives us insight into its sophistication but also helps resolve some of the interpretative difficulties which have long plagued scholars working on the poem, and in particular helps us see what is achieved by the poem’s surprising ending

Aesthetics · Art · Depiction · EPIC · Hymn · Interpretation (philosophy · Linguistics · Literature · Narrative · Poetry · Reading (process · Sophistication · Classical Antiquity Studies · Folklore, Mythology, and Literature Studies · Historical, Religious, and Philosophical Studies · History · Philosophy

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Unique citing works3
Citations per year0,38
Citation span2018 - 2023 (6)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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