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Virgil's Augustan Temples

Image and Intertext in the Aeneid

Bibliographic Data

ID9370232
AuthorsAlexander Kirichenko (Universität Trier, corresponding author)
Year2013
Volume103
Pages65-87
Publication date2013-05-20
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Journal of Roman Studies (JOURNAL)
Journal identifiersISSN: 0075-4358 • E-ISSN: 1753-528X
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0075435813000075
OpenAlexW2155391657
LanguageEN
Citations received4
References cited59

This article discusses the most memorable works of art described in Virgil's Aeneid (the paintings at the temple in Carthage, the doors of the temple in Cumae, the shield of Aeneas, and the baldric of Pallas) as visual models for the poem's organization of its own intertextual memory. The multi-dimensionality of memory enacted in the viewing of these pictorial programmes emerges as a metaphorical visualization of the semantic density created by the overlapping intertexts within the narrative itself and, what is more, urges the reader to perceive works of Augustan monumental art as embodiments of a similarly complex universe of memory

Archetype · Art · Literature · Narrative · Painting · Poetry · Visual arts · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · Language, Metaphor, and Cognition

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Unique citing works4
Citations per year0,44
Citation span2017 - 2026 (10)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 4

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