Haptic Blackness
The Double Life of an 18th-century Bust
Bibliographic Data
| ID | 9378461 |
|---|---|
| Authors | Cyra Levenson (Wadsworth Atheneum Museum of Art, corresponding author), Chi-Ming Yang (Princeton University), Ken Gonzales-Day, Ken Gonzales‐day |
| Year | 2015 |
| Issue | 1 |
| Publication date | 2015-11-16 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | British Art Studies (JOURNAL) |
| Journal identifiers | ISSN: 2058-5462 |
| Publisher | Yale University (PUBLISHER • US) |
| DOI | 10.17658/issn.2058-5462/issue-01/harwood |
| OpenAlex | W2509521023 |
| Language | EN |
| Citations received | 2 |
| References cited | 9 |
“One Object” is a British Art Studies series that uses an object from a collection as a starting point for collaborative research. Cyra Levenson and Chi-ming Yang have co-authored this essay which is followed by a photo-essay by artist Ken Gonzales-Day and an interview between him and the authors
Aesthetics · Art · Boom · Bust · Haptic technology · Simulation · Visual arts · Colonialism, slavery, and trade · Engineering · Photography and Visual Culture · Architecture
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,4 |
| Citation span | 2021 - 2023 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |