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Plautine Elements in the Running-Slave Entrance Monologues

Bibliographic Data

ID9387136
AuthorsEric Csapo (University of Toronto, corresponding author)
Year1989
Volume39
Issue1
Pages148-163
Publication date1989-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Classical Quarterly (JOURNAL)
Journal identifiersISSN: 0009-8388 • E-ISSN: 1471-6844
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0009838800040556
OpenAlexW2140660080
LanguageEN
Citations received3
References cited18

Despite a growing body of evidence to the contrary, the running slave (‘servus currens’), and particularly the often lengthy entrance monologue of the running slave, is generally considered a distinctly Roman phenomenon, an exuberant growth of the Latin soil, albeit from Greek seed.1 There are two reasons for this. One reason is the frequency with which the motif appears in the comedies of Plautus and Terence, in sharp contrast with the absence of any single undisputable New Comic example. The second reason is Eduard Fraenkel's Plautinisches im Plautus which, sixty-five years after its publication, remains the most authoritative scholarly work in the field of Roman comedy. In this book Fraenkel argues that Plautus' running-slave scenes, particularly the monologues of the Curculio (280–98) and the Captivi (790–828), are a veritable nexus of original Plautine traits

Aesthetics · Art · Comedy · Comics · Epistemology · Literature · Motif (music · Phenomenon · Classical Antiquity Studies · History · Philosophy · Shakespeare, Adaptation, and Literary Criticism

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Unique citing works3
Citations per year0,09
Citation span1992 - 2011 (20)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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