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D ario G aggio . The Shaping of Tuscany

Landscape and Society between Tradition and Modernity

Bibliographic Data

ID9422178
AuthorsPaul Baxa (Ave Maria University, corresponding author)
Year2018
Volume123
Issue5
Pages1764-1765
Publication date2018-10-30
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe American Historical Review (JOURNAL)
Journal identifiersISSN: 0002-8762 • E-ISSN: 1937-5239
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1093/ahr/rhy220
OpenAlexW2902367995
LanguageEN

It is one of the most iconic roads in Italy—a cypress-lined zigzag that runs up a Tuscan hill to a rustic farmhouse. The site is La Foce, a luxury agriturismo resort nestled in Tuscany’s Val d’Orcia. According to Dario Gaggio in The Shaping of Tuscany, it has come to represent an “authentic” Tuscan rural scene prized by tourists and preservationists. The scene has become so generic that variations of it can be found everywhere, from the walls of Italian restaurants to the dust jackets of popular novels. What is not generic, however, is a construct forged by generations of conflict that have shaped the Tuscan landscape since the nineteenth century. The bel paesaggio, so dear to Frances Mayes’s readers, is an embedded landscape of conflict, and the seemingly harmonious Tuscan scenery is, in fact, a reflection of the contradictions and complexities that have shaped the region in the twentieth century. In this finely textured and nuanced study, Gaggio convincingly demonstrates that what appears to be “heritage” is actually the product of a profoundly modern process

Aesthetics · Archaeology · Art · Cypress · Modernity · Political science · Historical Studies and Socio-cultural Analysis · History · Law · Vietnamese History and Culture Studies

Citation velocityhistorical
Highly citedNo

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