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Maori Cowboys, Maori Indians

Bibliographic Data

ID9450879
AuthorsAlice Te Punga Somerville (0000-0002-7490-2694, corresponding author)
Year2010
Volume62
Issue3
Pages663-685
Publication date2010-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAmerican Quarterly (JOURNAL)
Journal identifiersISSN: 0003-0678 • E-ISSN: 1080-6490
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/aq.2010.0000
OpenAlexW2042316917
LanguageEN
Citations received3
References cited2

Reflecting on a short story in which two young Maori boys comment after watching a western film that "neither of us wanted to be an Indian," this article explores the layers of complexity inherent to comparative Indigenous studies. Maori engagement with the visual cultures of Cowboys and Indians suggests that Indigenous-Indigenous connection can itself be articulated as disjuncture or dis-identification. We expect Maori to identify with Indians, but how do we think about the moments in which Maori do not? Ultimately, recognizing differences between Indigenous people and centering the various effects of colonialism can produce the conditions for remaining committed to – rather than the reasons to depart from – the pursuit of ethical, grounded, careful comparative Indigenous work

Archaeology · Colonialism · Ethnology · Genealogy · Identification (biology · Indigenous · Media studies · Sociology · Anthropological Studies and Insights · Anthropology · Gender Studies · History · Museums and Cultural Heritage

  • Waves of identity

    Open Access•Latoia Sasa-Tepania•Te Kaharoa•2019

  • Cowboy contradictions

    Sarina Pearson•Studies In Australasian Cinema•2013

  • New Zealand

    Open Access•Kirstine Moffat, Helen Lavën•The Journal of Commonwealth…•2011

  • Rough riding

    Open Access•Kathryn Montgomery Hunter•Aboriginal History Journal•2011

Unique citing works3
Citations per year0,2
Citation span2011 - 2019 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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