Quod significat
Vitruvius’ ultimate criterion for (good) architecture
Bibliographic Data
| ID | 9467335 |
|---|---|
| Authors | Pavlos Lefas (0000-0002-2702-9538, independent scholar, corresponding author) |
| Year | 2024 |
| Volume | 64 |
| Issue | 2 |
| Pages | 221-234 |
| Publication date | 2024-01-11 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The British Journal of Aesthetics (JOURNAL) |
| Journal identifiers | ISSN: 0007-0904 • E-ISSN: 1468-2842 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/aesthj/ayad035 |
| OpenAlex | W4390739735 |
| Language | EN |
| References cited | 5 |
The present paper proposes a new reading of one of the most obscure passages of De Architectura; in I, 1,3 Vitruvius claims that in architecture there is always a signifier and a signified, but his approach differs from Quintilian’s as presented in the latter’s Institutio Oratoria. Vitruvius’ is closer to Chrysippus approach, but he fails to mention the third constituent, the tynchanon. This omission is probably due to the fact that Vitruvius speaks of designs rather, than of existing buildings. What can successfully signify a proposed building is, according to my reading, the design and erection of a building that is easily recognized by the public as realizing the intentions of the community to erect the proposed building. Such successful signification constitutes the ultimate criterion for good architecture
Art · Linguistics · Literature · Reading (process · Visual arts · Architecture · Computer Science · Historical Astronomy and Related Studies · Historical Philosophy and Science · Philosophy · Water management and technologies
| Highly cited | No |
|---|