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Quod significat

Vitruvius’ ultimate criterion for (good) architecture

Bibliographic Data

ID9467335
AuthorsPavlos Lefas (0000-0002-2702-9538, independent scholar, corresponding author)
Year2024
Volume64
Issue2
Pages221-234
Publication date2024-01-11
Open AccessYes
TypeARTICLE
VenueThe British Journal of Aesthetics (JOURNAL)
Journal identifiersISSN: 0007-0904 • E-ISSN: 1468-2842
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1093/aesthj/ayad035
OpenAlexW4390739735
LanguageEN
References cited5

The present paper proposes a new reading of one of the most obscure passages of De Architectura; in I, 1,3 Vitruvius claims that in architecture there is always a signifier and a signified, but his approach differs from Quintilian’s as presented in the latter’s Institutio Oratoria. Vitruvius’ is closer to Chrysippus approach, but he fails to mention the third constituent, the tynchanon. This omission is probably due to the fact that Vitruvius speaks of designs rather, than of existing buildings. What can successfully signify a proposed building is, according to my reading, the design and erection of a building that is easily recognized by the public as realizing the intentions of the community to erect the proposed building. Such successful signification constitutes the ultimate criterion for good architecture

Art · Linguistics · Literature · Reading (process · Visual arts · Architecture · Computer Science · Historical Astronomy and Related Studies · Historical Philosophy and Science · Philosophy · Water management and technologies

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