The Presence of the Past in Modern American Drama
Bibliographic Data
| ID | 9593181 |
|---|---|
| Authors | Martha Gilman Bower, Patricia R Schroeder |
| Year | 1989 |
| Volume | 61 |
| Issue | 4 |
| Pages | 718 |
| Publication date | 1989-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | American Literature (JOURNAL) |
| Journal identifiers | ISSN: 0002-9831 • E-ISSN: 1527-2117 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/2927027 |
| OpenAlex | W2046653906 |
| Language | EN |
| Citations received | 2 |
This study focuses on Eugene O'Neill, Thornton Wilder, Arthur Miller, and Tennessee Williams, who, within the overall framework of formal realism, reshaped dramatic form to depict a past that interacts with the present in complex and often surprising ways. Fairleigh Dickinson University Press Award in Modern Drama
Art · Drama · Literature · Cultural Studies and Interdisciplinary Research · History · Theater, Performance, and Music History · Theatre and Performance Studies
| Citations per year | 0.09 |
|---|---|
| Citation span | 2003 - 2021 (19) |
| Highly cited | No |